"For us, there is only the trying. The rest is not our business."
#9: spending time with the very precious few people who actually do care about me.
See What Show: Wonderland
4 months ago
The wine urges me on, the bewitching wine, which sets even a wise man to singing and to laughing gently and rouses him up to dance and brings forth words which were better unspoken. ~~ The Odyssey, Homer
'You live in the past,' she said.
I was about to give a sharp reply, but paused. She was right, after all. Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say a shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the harsh air's damagings. That is why the past is such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
She stood in the middle of the floor in her coat and scarf, hands on her hips, casting about her with a vexed expression. She was still handsome then, high of cheekbone, her skin translucent, paper-fine. I always admired in particular her Attic profile, the nose a line of carven ivory falling sheer from the brow.
'Do you know what it is?' she said with bitter vehemence. 'It's inappropriate, that's what it is.'
I looked aside quickly for fear my eyes would give me away; one's eyes are always those of someone else, the mad and desperate dwarf crouched within. I knew what she meant. This was not supposed to have befallen her. It was not supposed to have befallen us, we were not that kind of people. Misfortunes, illness, untimely death, these things happen to good folk, the humble ones, the salt of the earth, not to Anna, not to me. In the midst of the imperial progress that was our life together a grinning losel had stepped out of the cheering crowd and sketching a parody of a bow had handed my tragic queen the warrant of impeachment.
She put on a kettle of water to boil and fished in a pocket of her coat and brought out her spectacles and put them on, looping the string behind her neck. She began to weep, absent-mindedly, it might be, making no sound. I moved clumsily to embrace her but she drew back sharply.
'For heaven's sake don't fuss!' she snapped. 'I'm only dying, after all.'
The kettle came to the boil and switched itself off and the seething water inside it settled down grumpily. I marvelled, not for the first time, at the cruel complacency of ordinary things. But no, not cruel, not complacent, only indifferent, as how could they be otherwise? Henceforth I would have to address things as they are, not as I might imagine them, for this was a new version of reality. I took up the teapot and the tea, making them rattle - my hands were shaking - but she said no, she had changed her mind, it was brandy she wanted, brandy, and a cigarette, she who did not smike, and rarely drank. She gave me the dull glare of a defiant child, standing there by the table in her coat. Her tears had stopped. She took of her glasses and dropped them to hang below her throat on their string and rubbed at her eyes with the heels of her hands. I found the brandy bottle and tremblingly poured a measure into a tumbler, the bottle-neck and the rim of the glass chattering against each other like teeth. There were no cigarettes in the house, where was I to get cigarettes? She said it was no matter, she did not really want to smoke. The steel kettle shone, a slow furl of steam at its spout, vaguely suggestive of genie and lamp. Oh, grant me a wish, just the one.
'Take off your coat, at least,' I said.
But why at least? What a business it is, the human discourse.
I gave her the glass of brandy and she stood holding it but did not drunk Light from the window behind me shone on the lenses of her spectacles where they hung at her collar bone, giving the eerie effect of another, miniature she standing close in front of her under her chin with eyes cast down. Abruptly she went slack and sat down heavily, extending her arms before her along the table in a strange, desperate-seeming gesture, as if in supplication to some unseen other seated opposite her in judgment. The tumbler in her hand knocked on the wood and splashed out half its contents. Helplessly, I contemplated her. For a giddy second the notion seized me that I would never again be able to think of another word to say to her, that we would go on like this, in agonised inarticulacy, to the end. I bent and kissed the pale patch on the crown of her head the size of a sixpence where the dark hair whorled. She turned to face up to me briefly with a black look.
'You smell of hospitals,' she said. 'That should be me.'
I took the tumbler from her hand and put it to my lips and drank at a draught what remained of the scorching brandy. I realised what the feeling was that had been besetting me since I had stepped that morning into the glassy glare of Mr Todd's consulting rooms. It was embarrassment. Anna felt it as well, I was sure of it. Embarrassment, yes, a panic-stricken sense of not knowing what to say, where to look, how to behave, and something else, too, that was not quite anger but a sort of surly annoyance, a surly resentment at the predicament in which we grimly found ourselves. It was as if a secret had been imparted to us so dirty, so nasty, that we could hardly bear to remain in one another's company yet were unable to break free, each knowing the foul thing that the other knew and bound together by that very knowledge. From this day forward all would be dissembling. There would be no other way to live with death.
Still Anna sat erect there at the table, fcacing away from me, her arms extended and hands lying inert with palms upturned as if for something to be dropped into them.
'Well?' she said without turning. 'What now?'
We spotted the ocean at the head of the trail
Where are we going, so far away?
And somebody told me that this is the place
Where everything's better, and everything's safe
Walk on the ocean
Step on the stones
Flesh becomes water
Wood becomes bone
And half an hour later we packed up our things
We said we'd send letters and all of those little things
And they knew we were lying but they smiled just the same
It seemed they'd already forgotten we'd came
Walk on the ocean
Step on the stones
Flesh becomes water
Wood becomes bone
Now we're back at the homestead
Where the air makes you choke
And the people don't know you
And trust is a joke
We don't even have pictures
Just memories to hold
That grow sweeter each season
As we slowly grow old
Penn's motto is based on a line from Horace’s Third Ode, quid leges sine moribus vanae proficiunt? ("of what avail empty laws without [good] mores?") From 1756 to 1898, the motto read Sine Moribus Vanae. When a wag pointed out that the motto could be translated as "Loose women without morals," the university quickly changed the motto to literae sine moribus vanae ("Letters without morals are useless"). In 1932, all elements of the seal were revised, and as part of the redesign it was decided that the new motto "mutilated" Horace, and it was changed to its present wording, Leges Sine Moribus Vanae ("Laws without morals [are] useless")